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The LS-208 is a professional front-address large-diaphragm condenser microphone designed for studio, live, broadcast recording and sound reinforcement. The LS-208 brings the brilliance and clarity of high-end studio microphones and combines it with the handling capabilities of a dynamic microphone.
The diaphragm in a condenser microphone (whether its large or small) is an extremely thin membrane that sits parallel to a solid metal plate, both housed inside the mics capsule. As sound waves hit the membrane, it vibrates and induces a current in the charged metal plate, creating an audio signal.
Small diaphragm microphones are realists. Use them for anything that you want to capture just like it is. Large diaphragm condensers are part microphone, part instrument. Their aim is to make the sound source appear bigger, more engaging, more beautiful and adorable.
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The ideal distance should be such that the microphone only picks up the sound of your voice while avoiding the other sounds of the room. The appropriate length for the most common microphone (a large-diaphragm condenser) is 6-12 inches away from your mouth.
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The LS-308 is a problem solver - a microphone designed specifically for when isolation is needed but difficult to achieve. This one-of-a-kind, side-address condenser microphone hears like a laser, sounds like a ribbon, and is able to withstand a staggering 135dB of SPL without internal padding.
Large diaphragm microphones (large diaphragms are usually considered to have a diameter greater than . 75 inches) tend to do a better job of capturing the depth of very low frequency sounds (though some would argue this). At least they subjectively sound better on low frequency sounds to most engineers ears.
The LS-208 features a 1-inch, center-terminated and gold-sputtered capsule and provides a frequency response of 20-20,000Hz with no filters engaged. This mic can handle 135dB SPL with no pad.

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