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The mood of Night is tragic and dark. The narrator describes the horrors of the Nazi concentration camps. He is separated from his mother and sisters
Style: Sentence Structure and Tone Elie Wiesel often writes in a detached tone when describing some of the horrors he witnessed or even endured. Part of this detached style is his use of very short sentences that are quick and to the point.
The mood of chapter 4 is depressing.
Tone | (n.) The attitude of a writer toward a subject or an audience conveyed through word choice and the style of the writing. Mood | (n.) The overall feeling, or atmosphere, of a text often created by the authors use of imagery and word choice.
At the beginning of the book, Wiesels tone is more optimistic towards his situation and hopeful for a better outcome, but as the book progresses, Wiesel changes the tone to one of dreariness and hopelessness due to the new environments and events he endures.
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Elie Wiesels work Night has a mournful, somber tone, one that is also honest and truthful. He provides gruesome details, and though hes never accusatory, he doesnt shy away from human feelings and actions, especially those of the narrator, Eliezer.
Wiesel is a messenger to mankind; his message is one of peace, atonement and human dignity.
Somber, Mournful, Honest Wiesels tone, as you might expect in a book about Nazi concentration camps, is serious and somber. He makes no attempt to lighten the mood with jokesthere wasnt really much happiness in the concentration camps and he doesnt make any up for the sake of the reader. The tone is mournful.
Telling the story of Eliezer, a fictional stand-in for Wiesel, the novel deals with the question of Gods existence and silence in the face of the Holocaust and the horrors of the concentration camps during World War 2. The novel also tackles the themes of silence, identity, suffering, and night/darkness.
Three examples of figurative language from Night by Elie Wiesel are similes, rhetorical questions and personifications. He used the simile I was putting one foot in front of the other, like a machine (85) to describe the time when he was running, with the SS officers behind him commanding him to quicken his pace.

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