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In Hitchcock's Psycho, the bird motif reveals clues about Marion Crane and Norman Bates. Bird images symbolize the predator-prey dynamic in their relationship and expose Norman's deep-rooted disdain for women due to his complex bond with his mother. The film's opening with a bird's-eye view of Phoenix, where Marion is from, and the significance of their surnames - Crane and Bates - further emphasize this theme. The stuffed birds in Norman's motel illustrate the characters' true nature, with Norman likening Marion to a vulnerable bird. Overall, the bird motif in Psycho serves as a metaphor for the characters' personalities and relationships.
