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[MUSIC PLAYING] My interest in text really came from trying to figure out ways in which works could somehow articulate their own premises. So wanting works that somehow spoke to their reason for being. But I wanted something that kind of like was deliberately convoluted and oblique and sort of confusing. So taking that idea or understanding, wanting the visualization of that text to be informed by that as well, I took to distorting texts manually. So Im really interested in these ideas about how noise informs, how it is we come to communicate with each other, that no communication is sort of fully perceived from sender to receiver, that all communication is premised on distortion. The texts I choose theyre formative, but I also write texts. So these works incorporate texts Ive written, as well as scans of books. So the I often write the text in a certain way inferring the matter that is within the texts that are photographed. So Im kind of writing in relation to or sort of questio
