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In this tutorial, an artist seeks clarification on whether a producer can claim royalties or ownership interest in a hit song if they previously signed away their rights to the master recording. The focus is on the producer's rights related to the master recording, not the underlying composition. It is essential to have proper documentation, specifically a work-for-hire clause, which confirms the producer has relinquished their rights. The contract should also address royalties, including any producer points, and outline the financial arrangements for when the song generates revenue. Ensuring these details are in writing beforehand is crucial to avoid potential issues later on.