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There is a tab down here where you can select Color, which enters into a Color UI in DaVinci Resolve. Before, I match these two clips, I will balance them to a point where it looks neutral. These footages are recorded in S-Log which is a high-dynamic range picture profile that Sony Camera offers. Shooting in S-Log can be beneficial because it gives you more room to tweak colors in post. It also makes color matching easy for two different cameras. For instance, you can match Sonys FS series and Alpha series with ease. The new full-frame camcorder - FX9 can also be a viable option. First of all, I am going to use the Jog wheels under the color wheels to spread the dynamic range. After I chose the shadow and the highlight, I tweak the mid tones. Now that I am done with the basic contrast, I am going to add color into this scene. There are variety of ways to do so but the easiest way is to simply add saturation by dragging Saturation. I will do the same to the second clip. After I normali