THE ART OF ACCOMPANYING THE JAZZ VOCALIST: 2025

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Compared to classical technique, a brighter sound (smile more), less vibrato, more dynamic range, and breathiness if the song calls for it. Also improvisation plays a big role in all things jazz. Id look to Ella Fitzgerald and Nat King Cole as good examples.
Scat singing. Originating in vocal jazz, scat singing or scatting is vocal improvisation with wordless vocables, nonsense syllables or without words at all.
Vocal jazz is characterized by vocal techniques such as pitch bending, inflections, consonant execution, and soft releases of vowels. In vocal jazz, compared to classical choral pedagogy there is less legato and ornamental use of vibrato.
These 7 techniques include: Rhythmic Embellishment. Repeated Notes. Ghost Notes. Chromatic Embellishment. Rhythmic Sequence. Melodic Sequence. Countermelody.
How to Sing Jazz Play With the Phrasing and Rhythm. Have Fun With the Melody. Ornament It. Experiment with Amplification. Lose the Crystal Clarity. Play With the Key. Have Fun With Diphthongs and Consonants. Learn to Syncopate.
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Rhythmic Accompaniment: Focuses primarily on rhythm rather than harmony, often performed by percussion instruments or rhythm guitar. It is a key element in jazz, rock, and Latin music. Countermelody Accompaniment: A secondary melody played alongside the main melody, adding depth and complexity to the musical texture.
early 1930s Louis Daniel Armstrong (August 4, 1901 July 6, 1971), nicknamed Satchmo, Satch, and Pops, was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz.

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