Temples, Donors, and Gifts: Patterns of Patronage in Thirteenth-Century South India 2025

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The produce of the land was used for the maintenance of the priests, garland makers, cooks, sweepers, musicians, dancers etc who were associated with the temples and used to work for them. Hence temples were not simply the place of worship. They were also the hub of economic, social and cultural life as well.
Three main style of temple architecture are the Nagara or the Northern style, the Dravida or the Southern style and the Vesara or Mixed style. But at the same time, there are also some regional styles of Bengal, Kerala and the Himalayan areas. One important part of the ancient Indian temples was their decoration.
Dravida and Nagara architecture Of the different styles of temple architecture in India, the Nagara architecture of northern India and the Dravidian architecture of southern India are most common. Other styles are also found.
The South Indian temple consists essentially of a square-chambered sanctuary topped by a superstructure, tower, or spire and an attached pillared porch or hall (maṇḍapa, or maṇṭapam), enclosed by a peristyle of cells within a rectangular court.
Buddhist, Hindu and Jain sculpture all show the same style, and there is a growing likeness of form between figures from the different religions, which continued after the Gupta period.
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Classical architecture bestows elegance and timeless grace, while modern architecture emphasizes functionality and simplicity. Contemporary architecture, on the other hand, offers a canvas to paint new stories with every brushstroke.
Primarily the temples were a centre for spiritual, art, architecture and culture. In the medieval Tamil country, the temples became very rich institutions by virtue of the huge endowment of lands, gold and money.

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