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Digital performance royalties 45% to featured artists. 5% to non-featured artists. 50% to the rights owner of the master recording.
The featured artist should get 33 percent of what the artist is getting. So if 70 points go to the label and three points go to the producer, now there's 27 points left. So the feature should get about eight or nine points.
The record royalty for a producer is usually between 3% to 4% of the record's sales price or 20% to 25% of the artist's royalties. On a CD that sells for $10.98, the producer's royalty would be about 33 cents for each copy sold and for a digital download of an album priced at $9.98 the producer receives 30 cents.
Typically, each producer would split up the total \u201cproducer\u201d percentage (if there's any other than the up front fee). So if the producer's backend is 20% for an indie release and there are 3 producers and they decide to split this equally, then each gets about 6.66%.
The owner of the sound recording \u2014 usually a record label, but also, increasingly, the artist \u2014 receives about 80% of the total royalty, which is then shared with the artist at a rate dependent on their recording contract.
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This means that they performed on the track and have been credited in the title. A featured artist will receive a royalty from the sales of the song they performed on, in one way or another.
Since most producers get 3-7 points and most artist's deals are 12-20 percentage points of sales/streams, you divide the producer point by artist point. So, if you're working with a \u201c4 point producer,\u201d you can divide 4 by 16 (typical artist points) and you get 25%. Or 4 divided by 20 would get you 20%.
CREDITS X SHARE X CREDIT VALUE = $ ROYALTY For example, if two co-writers of a song share royalties equally, each will receive 50% of the total credits. The final step is to multiply credits by the appropriate CREDIT VALUE to arrive at the ROYALTY payment.
Performance royalties are typically split into two equal halves: a \u201cwriter share\u201d (50%) and a \u201cpublisher share\u201d (50%). Performing Rights Organizations (PROs) and Collective Management Organizations (CMOs) collect and account for each of these revenue sources separately.
As explained by Tune Core, the split nods to how much copyright the individual deserves from that particular song. For example, if there are four songwriters working together and it's divided that everyone has an equal percentage, the songwriting split will work out at 25% each.

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