Study Sheet Italian Mannerism - cfedliostaticcom 2025

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No, mannerist art did not only focus on religious subjects. Known as the stylish style, mannerism was especially popular with the upper classes. Many well-to-do patrons commissioned portraits in the mannerist style, most famously from Bronzino (Agnolo di Cosimo) in Florence. Scenes from mythology were also popular.
The characteristics of Mannerism include hyper-idealization, distorted human forms; staged, awkward movement; exaggerated poses; crowded, unorganized compositions; nervous, erratic line; sour color palettes, and ambiguous space.
The term mannerism describes the style of the paintings and bronze sculpture on this tour. Derived from the Italian maniera, meaning simply style, mannerism is sometimes defined as the stylish style for its emphasis on self-conscious artifice over realistic depiction.
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
By not using aerial perspective, Mannerist painters could create a more flattened and compressed space in their paintings. This allowed them to focus on the figures and their interactions in a more immediate and intimate way, enhancing the sense of drama and intensity.
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Mannerism was born as a reaction to the harmonious classicism and naturalism of the Renaissance. Whereas High Renaissance art emphasized proportion, balance and classical beauty, Mannerism was inclined to exaggerate these qualities with paintings that present asymmetrical or unnaturally elegant compositions.
The primary characteristics of Mannerism include intricate compositions, sophisticated elegant features, and fearless manipulations of formal conventions. Therefore, the correct answer is option D: All of the above.