Sound Recordings Access Policy 2025

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Understand who owns a sound recording. The legal term for this entity is phonogram producer . In simple terms, the owner of the sound recording is usually the person or company that made and paid for the stems or multi-tracks making up the recording. This can be an artist , a music producer, or a record label .
Under the Music Modernization Act of 2018 (see section 1401 in the bill), all sound recordings published before January 1, 1923 entered the public domain on January 1, 2022.
There are essentially NO Sound Recordings in the Public Domain in the USA. Sound Recordings Released in 1922 or Earlier Enter the Public Domain on January 1, 2022. The U. S. Congress passed the Music Moderization Act (MMA) in 2018 allowing sound recordings to begin entering the public domain in the USA in 1922.
In 1971, Congress amended the copyright law to provide federal copyright protection for sound recordings fixed and first published with a statutory copyright notice on or after February 15, 1972. All sound recordings created after January 1, 1978, are automatically protected by copyright.
Through the Digital Performance Right in Sound Recordings Act of 1995 (DPRSRA),50 Congress amended the copyright laws to create a new exclusive right to publicly perform sound recordings, but only when performed by means of a digital audio transmission.51 This new right was also made subject to various limitations,

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Inherently, all historical musical works (pre-1930) are public domain. Classical sheet music, for example, is widely available for free use and reproduction. Some more current works are also available for free use through public works projects such as Internet Archive.
Whats in the Public Domain? - Compositions published before 1923. - Recordings created or published in the U.S. before 1972 are not protected by federal copyright law, but are still protected by state statutory law and/or common law.

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