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Specific Titles: Names of musical works given by the composer are italicized. Subtitles: Descriptive secondary names, or nicknames not given by the composer, appear at the end of the title within parentheses either in quotation marks or italics.
For example it is good if they can possess some of these qualities: Evoke Emotions. Evoke Imagery. Be Of Interest. Be Memorable. Make The Reader / Listener Curious. Convey Something Original. Convey Something Universal That Everyone Can Relate To. Tease The Reader / Listener Not Reveal Everything.
Most titles should be italicized or enclosed in quotation marks. In general, italicize the titles of long-form works (these are often self-contained and independent of other works) and the titles of works that contain other works (e.g., anthologies, musicals and operas).
Some of the best-known musicals through the decades that followed include My Fair Lady (1956), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misrables (1985), The Phantom of the Opera (1986), Rent (1996), Wicked (2003) and Hamilton (2015).
The entire title of a long-form work like a play should be italicized, not in quotes.
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Generally and grammatically speaking, put titles of shorter works in quotation marks but italicize titles of longer works. For example, put a song title in quotation marks but italicize the title of the album it appears on.
Rodgers Hammerstein: The Great Musicals Oklahoma! Oh, What a Beautiful Morning; Many a New Day; People Will Say Were in Love; Oklahoma. South Pacific. Carousel. The King I. The Sound of Music.

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