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when I started to write the script Froy I was basing it entirely off of what if I took something that I loved and put it with something I know so that was sci-fi and this vintage sense of reality ROI is essentially just this short little snippet about a broken female robot who stumbles into the shop of this mechanic Roy and in the process of their interaction she starts to shut down and eventually dies and Roy sacrifices himself for her so itamp;#39;s a story about true sacrificial love I was super lucky to have Joe graves as my VFX supervisor and I had him on set so he could tell me if something wasnamp;#39;t gonna work or if it was gonna work so pretty much as weamp;#39;d be shooting before every tape I turn to him be like hey is this kind of work and he tell me yay or nay and we did adjust so with the VFX - rather than kind of take over the scene they just really worked to kind of emphasize small key points that accent certain features of whether itamp;#39;s the actor or the set
