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Hi my name is Tony and this is Every Frame a Painting The most basic thing we have in film grammar is probably this: Shot Reverse shot Nearly everything you watch is going to be Nearly everything you watch is going to be filled with it. And most filmmakers seem to use it as a quick way to record dialogue. Keep the actors still, use multiple cameras shoot ten takes, and then make decisions in post. But I think shot | reverse shot is still powerful when its done precisely And a good example of that is the work of Joel Ethan Coen. -We thought you was -a toad. Because the Coens are masters of the dialogue scene And theyve done it by keeping their shots simple but precise -Can I share something with you? So today, lets reconsider shot | reverse shot. What can we learn from the way the Coens use it? -But let me ask you a question -Would an imbecile come up with this? One of the first things you notice about the Coens is that they like to film dialogue from inside the