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A movie, as you know, is basically a sequence of shots. The shots themselves may be beautiful or strange, kinetic or still, bright or dark. And, viewed individually, they might carry some meaning. But the real power of narrative cinema comes when you put those shots together. Suddenly they have context. They react to one another, surprising us or putting us at ease. Cut together, these shots can create whole new levels of meaning and evoke emotions in ways only cinema can. And the person whose job it is to make those cuts, to discover that emotional and narrative alchemy, is the editor. [Intro Music Plays] Like cinematographers, production designers, costumers, and makeup artists, editors must be part technician, part craftsperson, and part creative artist. They are responsible for understanding the technology of post-production, from editing software to integrating sound design, music, and special effects. But they also need to have a deep understanding of film grammar, a gut instinc