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A 2-5-1 chord progression (aka: ii-V-I) is a common musical convention of three consecutive chords which effectively establish a key. For example, the chords Dm7G7Cmaj7 create a pleasing sound that identifies C major as a tonal center.
The progression starts with a ii, which helps to create interest/tension because its not the tonic (I), and its minor tonality helps to balance the other 2 major chords. When a progression finishes with a V-I, its called a perfect cadence which is a strong resolution in music.
What is the II-V-I progression? It is a sequence of three chords out of seven available for every key. It starts on the 2nd degree (II) followed by the 5th degree (V) and ending on the 1st degree (I) of major and minor scales.
For example, the IV chord is a very common substitution chord for the ii chord. Therefore, in the key of G the IV chord (C major) can be substituted for the ii chord (A minor). The C major chord has the notes C, E, and G. The A minor chord has the notes A, C, and E.
The iiVI progression can be identified through a combination of root motion by fifths plus its distinctive sequence of chord qualities (mi77ma7 in major, or 77mi7 in minor).

People also ask

The I, IV, and V chords are the three most used chords in each major key. Aloud you would call them, The one, four, and five chords. The I chord is built on the first note of the key. The IV chord is built on the fourth note of the key. And, the V chord is built on the fifth note of the key.
The minor key ii-V-i progression is made up of a diminished triad (ii), major triad (V) and a minor triad (i). In many styles, this progression uses seventh chords: half-diminished 7th (ii7), dominant 7th (V7), and minor 7th (i7). In the key of A minor the progression would be Bm7♭5 E7 Am7.

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