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Cats Cradle is Kurt Vonneguts satirical commentary on modern man and his madness. An apocalyptic tale of this planets ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny.
Challenges. ing to Indianapolis Monthly, In 1972, the school board in Strongsville, Ohio, banned the book without stating an official reason. Notes from the meeting include references to the book as completely sick and garbage.
A curious fact about Cats Cradle is that a school in Ohio banned it. In 1972, the board of the town of Strongsville decided to ban the book. They never stated why they did it, but supposedly, it was because it was dull and senseless and did not contribute to anything.
Cats Cradle was published in 163 but it was banned in many schools because it addresses the issues of science and religion. Throughout the book, Vonnegut takes a satirical tone, causing many to take offense. The main plot device is a doomsday weapon that freezes all water on earth, causing the end of all life.
Cats Cradle: Analysis Written during the Cold War, the novel clearly warns about the dangers of the nuclear age and humanitys potential to destroy itself through faith or science.

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Written during the Cold War, the novel clearly warns about the dangers of the nuclear age and humanitys potential to destroy itself through faith or science. While the discovery of Atom energy and the development of the atom bomb is progress from a technical standpoint, it also endangers the world. Vonnegut shows Dr.
One of the things that makes humans a remarkable creature is the capacity for play; the cats cradle takes skill and imagination, and it thus functions as an analogy for humankinds increase in scientific understanding, experimentation leading to results, science as a kind of play.
Many critics rightfully point to science and religion as two of the main targets of satire in Cats Cradle. They often claim that while Vonnegut satirizes science and religion, he offers no alternative to belief in such systems. He thereby seems to suggest, ing to these critics, that humanity is hopeless.