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Performance theory can be a way of framing objects of study, viewing them as performances, thereby facilitating a new sort of thinking about them. Thus it can explain how interactions work by, for example, drawing on analogies with theatre, or ritual, or ceremony, or play.
Question: The seven functions of performance Schechner lists are: 1. to entertain 2. to create beauty 3. to mark or change identity 4. to make or foster community 5. to heal 6. to teach or persuade 7. to deal with the sacred and the demonic Think of a kind of performance that serves at least three of these functions.
Theorists like Peggy Phelan, Jos Esteban Muoz, E. Patrick Johnson, Rebecca Schneider, and Andr Lepecki have been equally influential in both performance studies and these related fields.
Performance Studies: An Introduction explores the wide world of performance--from theatre, dance, and music to ritual, play, political campaigns, social media, and the performances of everyday life.
He proposes a model of four concentric, overlapping discs with the largest and the least strictly defined, performance, at the bottom, drama, script, and finally theatre resting on top of each other.
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Two American anthropologists, Victor Turner and Richard Schechner, may be considered the fathers of the field of Performance Studies (though there are also many important uncles and aunts, and especially children, in the family tree).
It focuses on the pervasiveness of performance as a central element of social and cultural life, including not only theater and dance but also such forms as sacred rituals and practices of everyday life, storytelling and public speaking, avant-garde performance art, popular entertainments, microconstructions of
ing to Schechners (1977) performance theory, the performer carries a different identity that is unique and enhances the quality of a performance. It is noted that this kind of performance has nothing to do with acting skills but is a showcase of the actual self and mannerisms.

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