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In 1974, Marina Abramović did a terrifying experiment. At a gallery in her native Belgrade, Serbia, she laid out 72 items on a trestle table and invited the public to use them on her in any way they saw fit.
The Artist Is Present: MarchMay 2010 During the run of the exhibition, Abramović performed The Artist Is Present, a 736-hour and 30-minute static, silent piece, in which she sat immobile in the museums atrium while spectators were invited to take turns sitting opposite her.
In an endeavor to transmit the presence of the artist and make her historical performances accessible to a larger audience, the exhibition includes the first live re-performances of Abramovićs works by other people ever to be undertaken in a museum setting.
Abramovićs profile was raised in 1997, when she won the Golden Lion for best artist at the Venice Biennale.
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