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When thinking about narrative voice, think about the following: How does the reader feel about the narrator? Does the reader trust the narrator? Do they seem reliable? Is the voice of the narrator the author or someone else? How does the narrator choose to show us this fictional world?
In first person point of view the narrator is a character in the story telling it from their perspective. In third person point of view the narrator is not part of the story and the characters never acknowledge the narrators presence. Less common than first and third is second person point of view.
The narrative voice, or as it is more commonly known, the point of view (POV), is an essential element in storytelling, as it determines the character with whom the audience will sympathize. It also informs them of the narrators perspective and is essential in shaping their understanding of the storys events.
While narrating a story, it is essential to be clear in pronunciation and enunciate each word and phrase correctly. Knowing what youre saying is understood by the audience is the prime element. Avoid over/under articulation as it may make the words/phrases sound unnatural or strained.
Narrative voice is the voice (or voices) with which a story is told. The narrative voice comes from the perspective of the person (or people) telling the story. Narrative voice is an extremely important tool and component in stories for an author.
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Different Perspectives of Voice in Writing First person - The author is telling the story from the main characters perspective. Second person - Rarely used in fiction, second person voice talks directly to the reader using the you perspective. Third person - The author uses pronouns like he, she and they.
The pronouns I, my, and we are common features of the first-person narrative voice. I kicked the football with all my might, aiming at the goal. I felt anxious as I watched it arc towards the net. I felt my heart stop as the goalie divedand missed!
Writing Style and Word Choice A writer with a strong voice might write that their hero ambles across a room instead of walks. She might use a period where someone else would use a comma. Dan Gilroys script for Nightcrawler is an extreme example of this aspect of voice.

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