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To obtain public performance licenses in the United States, please contact the following performing rights agencies: 1-800-952-7227 ASCAP. 212-220-3000 BMI. 615-320-0055 SESAC.
Any use of copyrighted material without permission is, according to U.S. copyright law, copyright infringement. It does not matter if you use one second or the entire song, using copyrighted materials without the consent or permission of the copyright owner, constitutes copyright infringement.
Musicals Come in All Different Types Book Musicals. Revue Musicals. Jukebox Musicals. Film Musicals. Concept Musicals. Pop/Rock Musicals.
If it is a song by a small independent artist, the cost of a license could be between $50 and $150. However, if youre looking to license famous songs by top artists, the price can skyrocket to several thousand dollars without any problem.
Public performance licenses must be secured before playing copyrighted music in public. New business owners should anticipate this expense and incorporate public performance licensing into their plans before opening their doors.
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People also ask

If you produce a movie or film, make sure to get permission for any songs you did not write, recordings made by other people (such as samples, karaoke tracks, or background tracks), and lyrics or music notes if you show them. Licenses should be secured before you release your film.
Performing a work, whether a play script or musical score, is prohibited without receiving permission from the copyright holder, and in most cases paying a licensing fee and/or royalties.
To determine who owns the rights to songs, the websites ascap.com and bmi.com are extremely helpful. Once youve determined who owns the publishing and the master, you must contact them separately and ask for permission to use the song. This can get tricky when there are a lot of songwriters involved.
Generally not. If theyre an original work of authorship, they would be subject to the same copyright as any other written work.
You must legally obtain the rights to any sheet music or other music materials used from an authorized source. As a rule of thumb, no more than three songs should be used from any one title or any one composer. The revue must be the work of multiple composers.