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we begin with old machines empty no sequences programmed at a certain moment you get this wave slowly developing you have to accept everything that happens we started off like after three or four years of talking basically about making music we decided that we had to try jamming one time so we put our machines on the floor of Roberts bedrooms connected everything and we were talking about improvisation putting the musician out there we wanted to try or at least see if is if itamp;#39;s possible to do that in a context we basically have the same functions drums melodies and effects and weamp;#39;re actually just trying to talk to each other now you can totally tell when itamp;#39;s a nice dialogue and when weamp;#39;re shouting to each other yeah yes the key is to react and to listen to love ominous bass your next decision on listening and reacting itamp;#39;s so playful and itamp;#39;s so naive in a way so what if we do this on stage something that will only be at
