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- Kate Smith: And so, by using technical imaging and scientific analysis, weamp;#39;re able to learn a great deal about, not only the people that are depicted, but the artists that were painting them. These two portraits are a great example of sort of a study in contrast. Theyamp;#39;re both portraits of women. Theyamp;#39;re more or less contemporary with each other, but theyamp;#39;re material differences give them very different appearances. This portrait is painted with an animal skin glue tempera. So a water-based medium and the pigments are listed here on the label in many cases. Because we were able to actually identify them. But theyamp;#39;re often simple mineral pigments, like, you know, red and yellow ochres. Thereamp;#39;s carbon black and calcium-based whites. This picture is painted with beeswax encaustic as the medium and that has a much more transparent quality to it, and it requires denser pigments to make an opaque paint. So in this case, lead white is mixed int
