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Hans Zimmers score for Dunkirk starts with the sound of ticking. And thats a common theme in the legendary composers work you can hear it in Interstellar and in Sherlock Holmes But in Dunkirk, the ticking makes way for an overwhelming orchestra that seems like its rising higher and higher, but never actually does. Its so tense, it makes you cling to your seat. That is because Zimmer is taking advantage of an auditory illusion caused by something called a Shepard tone. It consists of several tones separated by an octave, layered on top of each other. As the tones move up the scale, the highest-pitched tone gets quieter the middle pitch remains loud and the lowest bass pitch starts to become audible. Because you can always hear at least two tones rising in pitch at the same, your brain is tricked into perceiving a constant ascending tone. Loop it all together and it sounds like a piano scale going on for infinity. When the transition between tones is continu
