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okay so now itamp;#39;s time for the grisaille underpainting and what that basically is is a value scale under painting for the whole piece and what that is going to do is going to set up our greater value structure for the entire painting which is kind of a huge part of the amount of work thatamp;#39;s going to be done for the painting this is really going to establish the compositional shapes in a huge way because Valley was a massive part of the composition you know a larger part of the composition than just the drawing so the painting should really start to look like something at the end of this stage and there are some artists that just kind of keep their paintings in this resign Stage two and never take it any further but with that being said this itamp;#39;s basically just going to be a great tonalist value structure on here weamp;#39;re just dealing with light and dark weamp;#39;re not dealing with any color I will be using burnt umber still but thatamp;#39;s you know tha