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welcome to dealing with foreground obstructions part two in this section weamp;#39;re going to look at the workflow between maka and final cuts okay so I opened up a maka project inside maka for a final cut you can actually open this up in maka fool as well but for the time being since we are going to be working with final cut so I thought I might as well show you it inside maka for final cut weamp;#39;re going to export the screen and the finger that weamp;#39;ve read of scoped so it will go over the top inside final cut okay so with our phone last elected letamp;#39;s export the tracking data weamp;#39;ve got two options here weamp;#39;ve got final cut basic motion which will only export the translation rotation and scale data of the layer in this case we donamp;#39;t want that for the screen what we want to choose is final cut distort this will actually distort the image that will insert into final cuts to the four points inside the surface of this phone layer so letamp;#39;
