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Iamp;#39;m going to be doing a portrait of Emily, going to be using the wipe out method. What? What Ill be doing is putting a sort of tone, or as some people call it, an imprimatura which is like raw umber, black and then quite turpsy and just like a spread it across. And you want it to be a sort of nice like midtone. And so that way that youamp;#39;re able to sort of paint the darks in and then rub the highlights and lights out with the paper towel. I wanted to, since this is a really nice like fluid or itamp;#39;s a flexible way of getting the drawing and laying in the paint, the painting. I wanted to do a bit more of a dynamic pose. Iamp;#39;m going to have her stand and this is a really good exercise of like seeing masses like, and just sort of loosening up and allowing your drawing to be flexible and so you can really sort of just push and pull the, the portrait on the canvas while youamp;#39;re placing it. Yeah. So weamp;#39;re going to be sitting it up in sight size Life
