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in this lecture i wanted to talk about movement how can you paint but still make the figures move do you achieve that through clear outline or through fussy lines like to the right here this is the first painting weamp;#39;ll look at this is touretteamp;#39;s by old nodrem and i want to show you the hands in particular you see the fingers the contour lines of the fingers are almost non-existent the same thing is happening where the hand or the arm meets the clothing so that this lies much further back so this is one prerequisite having a fussy outline can either push things back and or create movement you can see this also in this uh shadow that is thrown on the uh on the clothes that she is wearing and the funny thing is that you see on the left side of the shadow the contrast is lesser and on the right side it is stronger so thereamp;#39;s an aerial distance in the shadow itself strong contrast comes towards us and and lesser contrast recedes now nerdum also does this with sharp c
