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Yeah it was a combination of probably 60% Duane, 40% Elmore that was the sound that was here, as well as um, guys like little Walter and Howlin wolf, just that, just the edge, the edginess that those guys had in their sound and those recordings so that was what moved me first. You know, those influences stay with you. To me, I mean its great to key in on the technique and whats happening with the player, but to me its much more about um, youre trying to hit on emotions, youre trying to move people. If you cant do that I dont have any time, like im not going to see somebody because theyre goodsomethings gotta happen you know and thats the way we approach our group its not, theres never a moment were like, oh we gotta play this so we can show what we can do, its more about trying to hit on different themes and different emotions within a set. You know and hopefully that is translated because, I mean weve done over the years, shows with every type of guitar player imagi