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so the one idea that instantly helped me paint any subject was painting it with the right amount of blockiness now it doesnt matter if youre painting a piece of fruit in a still life a tree in a landscape or somebodys face in a portrait I promise you once you get a hold of this idea of blockiness it will take all your paintings to a new level now Andrew Loomis talks about this in his book which was very very helpful and Ill put up on the screen here for you to pause and read at your leisure what he had to say about blockiness but to summarize it what hes talking about is that when you paint a face too smooth and too round it has a certain slickness to it and lacks any weight or structure and can be kind of boring but on the other hand if you draw and paint it in to blocky its going to be very rigid and give the subject a hardness that it doesnt deserve the goal is to try and aim for somewhere in the middle you want squared planes but you want to soften them just enough so it doe
