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[Music] hi Ian Roberts mastering composition and the laboratory of our painting process you know really in a sense the number one convention of Western representational painting is this carving of depth in the picture plane that Ive mentioned before and today I want to talk about foreground middle-ground and background and the role they play in orchestrating that depth and Ill be using three examples of landscape I mean it applies to still life too of course but its just more obvious perhaps in landscape and one is the student painting and then two of my paintings and the third one is the painting I did from this drawing which I showed a few weeks ago which is now finished so I hope you enjoy that and Ill see you at the end so I imagine foreground middle-ground and background working something like this imagine this is a stage set and heres the audience out here and youre the viewer I mean youre the director but I mean youve got the viewer out here looking at your painting and
