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Part II. Weamp;#39;re going to start adding tones and blending them. So, Iamp;#39;m going to put on darker tones in a loose manner. So, Iamp;#39;m using the point of the charcoal, but Iamp;#39;m just scribbling it in. If I want to cover a big area, I can use the side of my charcoal. So, basic tones are on there, I can start to blend. I can use my finger. As soon as I put my finger on the paper, itamp;#39;s going to lift a little bit of charcoal. So, I might have to add a little bit of charcoal back in. I might have to do this several times before it sticks. Iamp;#39;m not going to try to finish any one area. I want to get general development throughout the whole thing. Because what I want to look at relationships, how one area relates to another as far as the tone goes. Weamp;#39;re going to correct the outlines by doing the background tones, bringing it up to the edge of the head of the cat. So instead of just drawing a hard outline, Iamp;#39;m using tones to get edges. What y