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Iamp;#39;m Emily Peters associate curator of prints drawings and photographs at the RISD museum and Iamp;#39;m here with Andrew Raftery who is a professor of printmaking at the Rhode Island School of Design and Andrew and I have been working on an exhibition together on the subject of Renaissance and Baroque engravings and itamp;#39;s titled a brilliant line following the early modern engraver 1482 1650 today weamp;#39;re in the studio with Andrew who is a practicing engraver and heamp;#39;s going to show us a lot about the technique of making and raving Iamp;#39;m getting ready to trace the copy drawing I wanted to be I want to trace it and then Iamp;#39;m going to clip the tracing over so I can reverse it on the plate the drawing that Andrew chose us by Francesca prima teach Gio and he made it in the 1540s when he was working in France itamp;#39;s the kind of drawing that would have been used by an engraver and Andrew made a copy after this drawing and in doing so he worked o
