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My nameamp;#39;s Michael Harrington. Iamp;#39;m a professor of music and intellectual property. Iamp;#39;m a musician. Iamp;#39;ve been a professional musician since I was 12. I fell into the world of copyright later on, and I work as an expert witness and a consultant in cases involving music. Copyright is something thatamp;#39;s mysterious. Most of us know little about it. Youamp;#39;re not born knowing it. Youamp;#39;re not born with an inclination to do it. You fall in love with music, usually, and then you start doing that. And later on you start to learn something about law and business. So you have a copyright from the moment you create something. It only needs to have two things-- it needs to be original, that means it came out of your head. And has to have some tiny bit of creativity. The Supreme Court called it a modicum of creativity. So if you want to sound heavy and legal, youamp;#39;d say modicum of creativity. So it has to be original. And has to be fixed in a ta
