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lets talk about the number one exercise you should be doing if you want to stop making streaky messy or even beginner looking portraits so I have here a book of Sergeants charcoal portrait drawings and this is going to be a really great example of illustrating something that Sergeant does so effectively that we arent practicing enough the book Im looking at is sergeants portraits and charcoal series that was put out by the Morgan library right through the beginning of 2020 and this is the book of all of the drawings that were in this exhibition so lets go ahead and turn to this portrait of Ethel Barrymore what stands out to you about the value structure of this portrait I know from all of my experience helping artists to really break through to the next level painting portraits the real thing that stands out to me is just how compressed and flattened the value structure is and specifically what Im thinking of is Im noticing just how much there really isnt much rendering much sha