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A fundamental role of a museum is to care for its collection and preserve it for future generations. European drawings from the 1300s to the late 1800s -or old master drawings- are particularly vulnerable- they are on paper and hundreds of years old. Conserving an old master drawing is a balancing act. All drawings have their own set of condition issues that need to be assessed individually. Here, a Getty Conservator carefully examines a 500-year old German drawing. She first removes the drawing from its mount (or support). She inspects the drawing lit from below. This makes it easier to see the marks left by the wires of the paper mold; stains; a watermark; a tear- with a darkened area that shows where it had been previously repaired; and at the corner, the shadow of the piece of paper that had been used to attach the drawing to a mount. Next she examines the drawing under ultraviolet light. The brown spots are called foxing. These are marks left by mold. Finally, she studies the d
