Remove Smart Field to the Music Recording Contract and eSign it in minutes

Aug 6th, 2022
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How to Remove Smart Field to the Music Recording Contract

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were back with another video on how to build a record label and were going to be diving into the contract that you need when signing an artist to your record label more specifically were going to get into the top three contract secrets that you need to know for your record label hi guys im miss crystal im an entertainment attorney public speaker and author of how to keep your dupes up in the music business im the owner of dukes up records and most importantly im an independent musician be sure to subscribe turn on those bell notifications so you dont miss our weekly videos helping you with your music career getting you to that next level i even do reaction videos of kind of whats going on in the music industry so make sure you subscribe and while today were going to be doing kind of an overview of what you need to know about the contracts for your record label were in the process of finishing a full length a to z guide on how to build a successful record label and its the

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🔊 The Sound Recording = Master Rights The copyright of the Sound Recording is generally owned by the artist or record label that they are signed to. Whoever owns the master recordings will earn royalties when the song is played or reproduced (including radio, streaming, downloads).
Not holding the masters means you forfeit control over where the recordings are used, and also not being able to reap the full amount of royalties from use of the masters.
The simplest way to end a management agreement is to let the time run out. The length of the agreement, that is, how long the manager has a job, is established in the term provision. It is usually in the artists best interest to keep the initial term as short as possible, perhaps one or two years.
Traditionally, under a contract between a record label and artist, the record label retains the rights in such master recordings in perpetuity, or until the expiry of the copyright of these recordings. In return, an artist receives royalties from the commercialization of these rights.
1) Who Owns the Masters? First and foremost, you should own the master recordings once the producer fee is paid. In rare circumstances, the producer might own the masters or have some co-ownership interest, but that is definitely not the norm. Almost always, you should own the masters.
The master copyright covers the specific sound recording, or master recording, that contains a particular expression of the underlying musical composition created by performing or recording artists. This copyright is held by the performing artists and, typically, their label.
Have a lawyer help you negotiate the contract. Try to limit the term of the contract. The shorter the contract, the sooner you can either leave or renegotiate the contract. Have your lawyer build in some ways to get out of the contract if the relationship goes south or if things dont work out the way you want them to.
Traditional Record Label Deals In return for all this short-term excitement, the artist signs away the master rights to the recordings, meaning the label then owns the masters for a given period of time, which is often in perpetuity (meaning forever!).

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