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Hi my name is Tony and this is Every Frame a Painting. Today Im going to switch things up and talk about problem-solving. One of the reasons I like filmmaking is that sometimes you have to design a solution to a particular stumbling block. For example, how do you show a text message in a film? Its an interesting conundrum. Texting is kinda visual, so in theory, this shouldnt be hard. And yet every time a filmmaker cuts to an insert of a phone you can hear the audience yawning. Many films make it so characters dont text or they read the messages out loud like idiots. Or worse, they invent some reason for the phones not to work. --97% nationwide coverage and we find ourselves in the three percent But in the last four or five years, somethings happened. Filmmakers have started adopting a new formal convention the onscreen text message. It has exploded in just a few years. I first noticed it on the BBC version of Sherlock. But after consulting Twitter, we found earlier examples in soa