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last time i showed you my process for manually inverting color negative film it was more of a daytime scene so it was easy to know what the white point should be quite often though we shoot at sunrise sunset twilight or at night and itamp;#39;s not always so straightforward finding out what the white point should be is probably the hardest part when it comes to inverting film so this time weamp;#39;re going to work with a much trickier image this is a nighttime shot it was well after dark itamp;#39;s a bit twilighty still and itamp;#39;s of my tent while i was backpacking this summer the image is a bit underexposed it was a 10 minute exposure on portra probably could have gone a little bit longer but it was at that point of diminishing returns there how can you tell itamp;#39;s dark the trees here are pretty much the same color as the border and the borders are always black which means the trees are almost pure shadow when you zoom in though you can still see thereamp;#39;s some
