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Freelance comic book creators are essential to the industry, developing characters and stories, while publishers gain attention for the intellectual property they own. While discussions around the challenges of the work-for-hire system are common, the underlying agreements that dictate these relationships often receive less focus. Kamal Hennessy aims to address this by exploring the legal rationale, economic aspects, and fundamental concepts of these contracts. A key point in copyright law is that typically, the creator owns their work; however, under the work-for-hire doctrine, the employer is considered the author, even if an employee created the work. This employer can be an individual or an organization.
