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today Im going to talk about Arduino Zen horkheimers critique of the culture industry and this is going to be the second part of a lecture series a planned lecture series on media Theory which started with a video in Walter Benya means essay on Art in the age of technological reproducibility and quite a few viewers reacted positively to our suggestion to turn this into a series on kind of lectures on media Theory 20th Century Media Theory and gonna look in the course of this series on some German French North American theorists building up to a theorist that Im most familiar with personally Nicholas Luman who will come at the end let me start with a short biographical note Benjamin who I talked about earlier and adono and hawkheimer knew one another and they share a lot of similarities in their biography they grew up in early 20th century Germany the heavily influenced Intel actually by Hegel and Marx they share a keen interest in politics with an interest in art and importantly of
