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im keith christensen john pope hennessy chairman of the department of european paintings at the met and im carlo falcani professor of art history at academia de bellaire in florence and together were co-curators of the medici portraits and politics 1512-1570 in 16th century florence portraiture was often likened to a mask because the process of constructing an identity to be passed down to posterity involves masking as well as revealing formal portraiture in this period is often less a revealing of the sitters private personality than the record of a negotiation of the private and the public spheres carlo you have worked on this period for many years and have organized landmark exhibitions in florence so id like to begin our tour by asking a somewhat provocative question what do you find most compelling about the portraiture of this era you know kid portraiture is the clearest guide to a period and the way people envision themselves in the society in which they live is especially
