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weamp;#39;re here at the Portland Art Museum in the European gallery standing in front of Gustave Courbet a self-portrait the VM cellist from 1847 which is a really early painting for corbeil itamp;#39;s among the earliest groups of self-portraits and itamp;#39;s at the soft border in which he casts himself in the role of another creative activity music it is a team that is really about the way that he presents himself in the world in a sense a kind of theater yes he emerges his face his hands the highlights on the cello from this gloom that surface is built up layer after layer of scum bold glazed paint and thatamp;#39;s why you get a certain amount of alligatoring of the splitting of the of the pigment because corbeil spends time with this picture the touch of the brushwork especially on the face and on the hands is so glorious but it seems to embody almost the history of art and the history of rendering the human flesh I think about the Baroque traditions of Velazquez I think ab