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- [Steven] Weamp;#39;re in the National Gallery in London, standing in front of Giovanni Belliniamp;#39;s the Madonna of the Meadow. This is a Renaissance painting from Venice. But we wanted to talk about it, as a vehicle to highlight the tools of visual analysis. - [Beth] So hereamp;#39;s what weamp;#39;re not gonna talk about. Weamp;#39;re not gonna talk about iconography, how this painting fits in with the history of paintings of the Madonna and Child. Weamp;#39;re not gonna talk about the symbolism that we might see in some of the animals in the background. Weamp;#39;re not gonna talk about the commission or who the patron was. - [Steven] Weamp;#39;re not gonna talk about the political, social, or economic context in which this painting was made. Instead, weamp;#39;re gonna focus on the things we can see. So weamp;#39;re gonna talk about scale, composition, pictorial space, form, line, color, light, tone, texture, and pattern. - [Beth] Letamp;#39;s start with the issue o
