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hereamp;#39;s why codex theory is so important for painters the most chromatic part of a painted subject is always this area here not the Highlight not the shadow this area called the local color or local value letamp;#39;s take this diagram to understand the relation between value and chroma each Hue has a auto diagram built around two axes the x-axis represents the values and the y-axis is the chroma these diagrams can be used to visualize how to pick a color mixing scale to paint a subject of a given color hereamp;#39;s the local color of the subject and hereamp;#39;s what the mixing scale would look like as you can see itamp;#39;s not a straight line but a curve the local cutter is here and the mixing scale forms some sort of a bow curve connecting black and white you can see that the local cutter is always the most chromatic color of the object and that it loses chroma as it gets closer to the shadows and as it gets closer to the highlights
