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please allow me to introduce todays speaker curator of 18th century french decorative arts here at the wallis collection dr helen jacobson thank you very much indeed ollie why is it do you think that we have an immediate negative reaction when we hear the word copy is it because theres an assumption that the copy wont be as good as the original uh do we think copies are owned by aspirational collectors who cant afford the real thing or is it because we worry that we cant tell the difference between a good copy and a well i think it may be a little bit of all these things but its not a view thats always been held throughout history whether were talking about roman copies of greek sculpture or 18th century copies of renaissance works which were themselves copies of antique sculpture copies have been accepted and appreciated for what they are after all imitation is surely the sincerest form of flattery and furniture is no different the wallace collection is internationally renown