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So before we get all the lights out and start setting them up and getting all the modifiers and getting the gels on the lights and really start getting into the nuts and bolts of it, letamp;#39;s just take it back a step and just go over some of the fundamentals of gel lighting. And as some of you may know, Iamp;#39;ve been shooting with gels for a very long time, and I think Iamp;#39;m in probably a privileged position that lots of people send me loads of their shots when theyamp;#39;re starting out taking gel shots, they want some feedback, you know, hey Jake, what can I do differently, Iamp;#39;m not getting the colors that I want. I think over those years Iamp;#39;ve seen sort of the same mistakes being made, time and time again, which is fine, you know, I made them, everybody makes them when they start out, because, you know, taking gel shots is different to white light shots, and I suppose, Iamp;#39;ve boiled those down into sort of six fundamentals of what we need to bear
