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This is the video number 12 of the course of conservation framing carried out by Rinaldin. The course is edited and presented by Mal Reynolds who is a recognized authority in this field. In order just to finish the back off what we need to do is we need to have a good strong backboard. This is Corricor and this works perfectly well in the conservation process. It is strong, it is hard and its purpose is to actually stop damage coming in from the back of the artwork itself. So I would place the actual board in the frame itself and I would put pins probably between 100 and 150 mm apart to hold the board in place. As I said, in this case were using Corricor. You can use conservation board. There are several on the market, but framers should avoid using grey board or any poor quality boards because remember were talking about conservation processes and in some cases the majority of the deteriorating agents will come from the back board and from poor back board itself. Once we have all t
