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I have spent the past 38 years trying to be invisible. Iamp;#39;m a copy editor. I work at The New Yorker, and copyediting for The New Yorker is like playing shortstop for a Major League Baseball team: every little movement gets picked over by the critics -- God forbid you should commit an error. Just to clarify: copy editors donamp;#39;t choose what goes into the magazine. We work at the level of the sentence, maybe the paragraph, the words, the punctuation. Our business is in the details. We put the diaeresis, the double dot, over the amp;quot;iamp;quot; in amp;quot;nave.amp;quot; We impose house style. Every publication has a house style. The New Yorkeramp;#39;s is particularly distinctive. We sometimes get teased for our style. Imagine -- we still spell amp;quot;teen-ageramp;quot; with a hyphen, as if that word had just been coined. But you see that hyphen in amp;quot;teen-ageamp;quot; and that diaeresis over amp;quot;coperate,amp;quot; and you know youamp;#39;re re
