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Freelance comic book creators are essential to the industry, driving the development of characters, stories, and key moments, while publishers gain recognition for their intellectual property. Although issues with the work-for-hire system are frequently discussed, the foundational agreements that define these relationships often go unnoticed. In this tutorial, Kamal Hennessy aims to address this by exploring the legal rationale, economic aspects, and fundamental concepts of work-for-hire contracts. A key principle in copyright law is that the creator typically owns their original work, but the work-for-hire doctrine is an exception, allowing employers—be they firms, organizations, or individuals—to be considered the authors, regardless of who actually created the work.